It Goes all the Way to the Top: Motherless Brooklyn
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).

A portrait of a small, contemporary village, shaken by the return of one of its residents from prison. Zdzich returns from prison to a small village on the edge of the Augustów Primeval Forest. He was accused of shooting a militiaman and, despite the clear bias of the witnesses, he was convicted. Now the locals fear that his return will bring revenge for the false accusations. Zdzich hides in the forest. One day, he meets Romanek, the son of Jadźka, whose honor he once defended in a fight with others. Romanek cannot answer who his father is. Their meetings become more frequent and turn into friendship. Zdzich decides to come out of hiding and makes a show of attending church. He proposes to Jadźka and is accepted. He also explains the circumstances of his arrest to the locals. The next day, the forester is killed by a mysterious bullet. Zdzich was the last person seen with him. This causes unrest in the village.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
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