Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

A man becomes a fugitive after escaping from prison. That same night, he returns home with a single goal: to reunite with his son and take him to the sea. Hunted by the law and held by a promise, father and son share a journey as urgent as it is fleeting.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. The film 'Shrek' can be interpreted as a transgender story.