The White Boy Saved Us All Again in Gladiator II
A direct fall into the white savior narrative

Had come of age and unemployed, Peter decides to go back to school to take the elementary school. However, his academic performance continues to be poor so much so that his grandmother to play for the votes of a report card to the football pools coupon. The grandmother with the votes of Peter will win, using the amount paid to renew their tavern, without giving any money to his nephew, who will retaliate by closing all his family in the bathrooms of the new restaurant. Eventually Peter was rejected despite the efforts of his teachers, but Peter does not seem to be over: receives, in fact, a visit to Camazzo, her neighbor and Head of the third class of the Navy, which gives him an envelope containing the fateful "call to Arms".
A direct fall into the white savior narrative
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
Spirited inverts the tropes of the holiday musical genre to update an age-old tale for 2022. It's a paean to those who make grand spectacles possible.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.