When firebrand TV reporter Jonathan Pie gets a gig presenting eco-filmmaker Franny Armstrong's new documentary about climate change he thinks he's in for a jolly couple of days by the seaside.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.
A man found himself stuck inside the passage to the subway exit on the way to work.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
