"Godzilla vs. Kong" is pure, stupid fun
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.

Private eye Al Crosby is paid by millionaire Harry Feldman to take his place at a meeting with Emilio, a gangster. He is drugged and photographed in compromising positions by two hookers, Suzy and Bijou, then he is nearly killed by Mrs. Feldman. Al tries to blackmail Mrs. Feldman, and he is beaten up by three women and forced to tell of Harry's whereabouts, leading to Harry's murder. Al enlists the help of Harry's mistress, Coco, plus Suzy and Bijou whom Al gets out of prison, to expose Mrs Feldman as having inherited money by devious ways and being a brothel owner.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.