'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

In a small street in Brussels there is an unusual concentration of pianists: on one side, the house of Martha Argerich; on the other, that of the Tiempo-Lechners, four generations of pianistic prodigies. At just fourteen years old, Natasha Binder is the heir to a dynasty, her last great promise.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
The film is trying to revive DC's former glory, it really is, it just doesn't have everything it needs to get there. Luckily, Black Adam isn't as bad as many internet haters want you to think it is.
Love Hard is a Christmas romcom about two people who fall in love while pretending to date. It’s a romantic and fun watch. If you can forget the catfishing.