Gus Van Sant's Constant Thematic and Cinematic Elements
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.

Twelve-year-old Diana encounters a strange find in the forest in the early morning. A young woman lies motionless in the moss, her legs scratched. But she wakes up. Diana doesn't ask, she takes care of her. The 23-year-old Pia is still foggy. She doesn't know anything about last night, so she instinctively goes into the hands of her childish rescuer, grateful that she does not have to explain to her counterpart. The two give each other the greatest gift, time and attention and fill up the mental empty spaces.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
Set against the backdrop of the Jim Crow era, the film offers layered representation.
The singer recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life.
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
A24 keeps producing amazing films and X belongs with all the brilliant titles under its name. And is definitely a must-watch for a film enthusiast!