'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

Sophie (Ambika Mod) has spent weeks planning a special day out for James’s (Conor Joseph) birthday. Something that will elevate their relationship with just the right amount of nostalgia, sentimentality and romance. But whilst searching for a lighter, to light a birthday candle, Sophie’s curiosity delivers an unexpected blow; a simple message in a card that reveals James’s unique pet name for her, “Goose”, may not be as original as she first thought.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Much more than a meme, 'Barbenheimer' actually diversifies viewer bases and spreads the important message of both films wider than they otherwise would have!
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.