A Ruthless gang along with the assistance of their leader's girlfriend Monica, make a heist into an spirits factory's vault and they take 20 millions. On their way out after closing back the vault the alarm goes off and the police is after them. During a shootout all of the member are killed or wounded apart from the gang leader Peter, who makes it, to his girlfriend's car, with all the money in a bag, and he also takes hostage a high rank police officer. The peculiar fellowship is now running away from cops, escaping from road blocks, helicopters and car chases, stealing and changing vehicles constantly in an effort to cross all over Greece and make it to the northern borders.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.
