Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

Pink film by Sakae Nitta.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
The film is a powerful narrative encompassing a theme that many people can identify with.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.