What Does a Sympathetic Portrayal of Sexual Assault on Screen Look Like?
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.

Loud thoughts of nine women on the existential themes, about the essence of being human, and about the feelings. Each of them performs the act of meeting with herself. Person number one meets person number two, her alter ego. There rises a question: who am I? Where did I come from and where am I going to? The world comes into contact with them through music and lyrics. A path of self-awareness begins, which they also pass through catharsis on the background of various emotions, and which is saturated only with love.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
Most movies give you their point upfront, while others make you think it’s about a specific topic, then reveal that the story is about something else. Pink Lady belongs somewhere in the middle of those two categories.
Adventure Time, Legend of Korra, Steven Universe, The Loud House, The Hollow, OK-K.O.! Let’s Be Heroes, The Dragon Prince, etc!
This list was made with the intention of celebrating the craft. I love seeing more women of colour on this list than before and more newcomers on the scene as well!
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.