A non-prolific writer, Takayama Osamu and his wife, Yoshiko, though not blessed with children, live happily together. They should have had peaceful twilight years, but instead, Yoshiko suffers from Alzheimer's Disease, and Osamu also falls ill. Yoshiko, who cannot cope with daily life any longer, goes into a care home, and Osamu is admitted to a hospital, resulting in them living their remaining lives separately. One day, after some time, the couple who have kept battling their illnesses, manage to meet each other. Osamu breathes his last breath on the following day. People around Yoshiko find it difficult to inform her, but she seems to sense Osamu's death.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
