Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Performer/Audience/Mirror (1975)
Using the mirror at the back of the stage as a monitor, Graham voices his unrehearsed observations, activating the various feedback cycles taking place within himself as performer, between the performer and audience, and among audience members. Issues of duration and attention are critical for both performer and audience.
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Using the mirror at the back of the stage as a monitor, Graham voices his unrehearsed observations, activating the various feedback cycles taking place within himself as performer, between the performer and audience, and among audience members. Issues of duration and attention are critical for both performer and audience.
Rating:
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Written By:
In Theaters:1/1/1975
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Runtime:23 minutes
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Cast
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