Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A performance artist tells the story of her art, her creative crises and how she was able to leave it behind in a little weird way. Matthias Wissmann: “My girlfriend and I wrote and produced “Performance” spontaneously in the weeks of corona crises lockdown in Germany. In these uncertain and weird dark times, we wanted to try the first step into the genre of mockumentary to mash it up with weird humor and exaggerate the significance of art.”
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.
Seven years after George Miller's previous film, 'Mad Max: Fury Road', he dives back into the scene with an equally daring movie. Although not nearly as action-packed, his newest film 'Three Thousand Years Of Longing' challenges the typical format of a film, giving you a well-known plot in an unexpected way.
For many people, Disney+’s debut show, The Mandalorian, was a breath of fresh air for the Star Wars universe. The Disney Gallery shows audiences how that show came to be.
"Clifford the Big Red Dog" retells the adventures of Emily and her striking puppy to highlight the joy of being different and inspire another wave of young fans.