Getting Lost in Amsterdam
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

In a futuristic world where women run the show, a shy plastics designer buys a female robot, so he gains confidence and becomes a ladies' man.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
This fantasy musical movie is an origin story about the title character.
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.