
A movie about little Marianne's life in a little German village 1943-1950. The peace comes in the shape of an American soldier who brings chewing gum to all the children, a soldier they call Mr. Frieden. Marianne's head is filled with fear of war and belief that the war will come back.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.