August 15, Leila and Paul are separated on a motorway service area. Travelers without a destination, they stay there, in search of comfort and tenderness, trying to escape their loneliness by mingling with that of others, that of people who drive at night.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.
A musical adventure that young viewers will enjoy as Blue and Josh travel to New York City for a big opportunity.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.
