The Ghost (2023)
Two Korean sisters must save their family after a ghost tears the family apart.

Italian version of the play People, Places & Things. The story follows Emma, an actress whose life unravels under the weight of addiction. As she enters rehab, she is forced to confront her past, her identity, and the illusions she has built around herself, blurring the line between performance and reality in a raw and deeply human journey toward recovery.
Two Korean sisters must save their family after a ghost tears the family apart.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.