'Zola' is a Modern Black Fairytale
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.

PEG O MY HEART (Metro Studios, 1922), directed by King Vidor, under the supervision of J. Hartley Manners, introduces the legendary theatrical actress Laurette Taylor (1884-1946) to the screen reprising the role she made famous as a poor Irish farm girl who inherits a fortune but would rather have happiness instead. While a bit too old for the character supposedly in her late teens or early twenties, Laurette was tailor made for it.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.