The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

Young Peer Gynt returns home once again after unsuccessfully looking for work. His mother already goes to meet him and he describes his alleged adventures to her. In his imagination, he sees himself as a king and escapes reality with his stories. His mother would have liked him to marry Ingrid, with whose dowry they would be well provided for, but Ingrid is promised to Mats and will marry him the very next day. While Peer once again escapes into his world of thoughts while lying in the grass, he is laughed at by the others of the village. They warn him to come to Ingrid's wedding feast, where the whole village is celebrating. But he does not care and there he meets Solvejg, whom he likes very much, but she initially turns away from him. So he kidnaps the bride Ingrid, incurring the wrath of the groom and the rest of the village youth.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
A summary of the films featured in this annual event taking place in Westchester.
"Thunder Road" presents the grief that comes from a family member taking their own life.
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.
A homeless girl faces depression and uncertainty during the holidays.