Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

A rag-tag group, led by the eagle-eyed Steve, take to Montreal's chilly rooftops under cover of night. They're on the prowl for the perfect peep desperate to glimpse a "hottie hookup," a "panty party" or a "big booty buffet" through unshuttered windows. But their lives are about to change. Enter Annette, a brazen academic who turns the tables by setting her sights on the peepers themselves. Soon it's a battle royale for rooftop supremacy will these die-hard obsessives manage to defend their turf, or will peeping as they know it never be the same?
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.