Annette Haven plays a down-on-the-farm girl who decides, after a confrontation with her stepfather, to head out to the big city. There she finds that she has to sell her body if she wants to make the really big money, so she jumps right into action and becomes the classiest hooker in the Big Apple. One night while driving, she sees a hustler being accosted by her pimp. Annette saves the girl, leads her to someone who can do some good and with a little coaching by Annette, the new girl becomes another high-class prostitute.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
A fun-loving story focused on surviving middle school and tailor-made for its target audience. "The Diary of a Wimpy Kid" follows the paradox of finding true friendship and securing popularity no matter what it takes.
The death of Grace's father brings challenges as the family tries to preserve their ranch.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.
