A woman scorned; Addison has been obsessively plotting her revenge since the day she was ruthlessly dumped by her wealthy ex-boyfriend Trevor. When Addison sees that her ex has found happiness with his new girlfriend Cara, she finally comes up with the perfect way to get back at him- she's going to become his stepmom. Addison sets out to seduce Trevor's divorce' dad Noah, put a ring on it, and divert a healthy chunk o fher ex's enourmous inheritance to her own bank account- all while making his life as difficult as humanly possible. But Addison's amitiosu wedding plans are at risk of blowing up when the girlfriend she left behind, Sade, crashers her engagement party and links up with Trevor to dish out some payback of her own. See how these beauties and unknowingly boyfriends react in Payback's A Bitch.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
