Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

Captures the essence of Willa Cather's haunting story of Pittsburgh circa 1900. Lost in a world of fantasy, young working-class Paul dreams of escaping his dreary existence in turn-of-the-century Pittsburgh. As fate would have it Paul gets his chance by stealing some money and subsequently running off to glamorous New York City.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
The accountant in question is Christian Wolff (Ben Affleck), who’s neurodivergent. We know this because at a dating event, he bores women with tax advice. He also places his breakfast foods in neat stacks and has no friends.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.