A young debutante transcends the rigid society she once knew and discovers a better place that exists inside a dream.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
I was able to sit down and talk with the director of the short film Dog Lover Anne-Sophie Bine as she discussed and how she came to be in film.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
