The reality show "I'm Jealous" is being filmed at the TV studio. The management of the channel that ordered the show is not satisfied with the ratings and insists on increasing the degree of provocation. The producer of the show Anton demands from the participants to act out scenes of jealousy "on the verge of a foul". On the set, the situation is spiraling out of control. The administrative group of the show is involved in uncontrolled "games of jealousy", which makes Anton suspect: the show has a background, "invisible script" - "Show about filming the show", which is designed for elite consumers of closed sites.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
A brave Indian woman rises from an oppressive background to become an inspired leader for women and men alike around the globe.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
I was able to sit down and talk with the director of the short film Dog Lover Anne-Sophie Bine as she discussed and how she came to be in film.
Jeff Aquino’s film “Viral” placed second in 2020’s Incluvie Film Festival fest, he’s back again with his film "An A Peel for Justice".
