It: Chapter Two Review: An Ambitious, Worthwhile Sequel
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.

Fifty years after emigrating to Brussels, seven North African Muslim women are finally starting to taste freedom after decades raising their families behind closed doors. In the 1960s, thousands of North Africans came to work in Belgium. Among them were women who had left everything behind to follow their men to an unknown country. “Patience, patience — you’ll get to heaven,” is what these women are repeatedly told to encourage them to put up with their lives without complaining.In this heartwarming new documentary we follow as seven women decide to experience a life of freedom before it’s too late. Together, everything becomes possible and slowly but surely the seven women venture out discovering a whole world they hadn’t previously known.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
'Brother' is a gripping family drama with dazzling performances all around.
The Forge is a moving story about a young man’s search for purpose. Through mentorship, discipline, and faith in God, his life is transformed from confusion into clarity, reminding us that true greatness is shaped in the fire of surrender and growth.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.