Pat Metheny - The Unity Sessions' finds the 20 time Grammy winning guitarist and the youngest member of the Downbeat Hall of Fame at the helm of one of his best bands ever as they wrap up a 150 date world tour with an intimate studio performance filmed in a small New York City theater. Featuring new performances of music from the Grammy winning 'Unity Band' record, the expansive 'Unity Group KIN' recording, and touchstones from the entirety of Metheny's illustrious career, these are essential performances that serve as a rare visual documentation of some of the best music of Metheny's ever expanding career.
Matt Beighley
Director
Pat Metheny
electric and acoustic guitars, guitar synth, electronics, orchestrionics, synths
Chris Potter
tenor saxophone, bass clarinet, soprano saxophone, clarinet, alto flute, bass flute
Antonio Sánchez
drums and cajon
Ben Williams
acoustic bass, electric bass
Giulio Carmassi
piano, trumpet, trombone, french horn, cello, vibraphone, clarinet, flute, recorder, alto saxophone, wurlitzer, whistling, vocals
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
The enthralling prequel and 5th installment in 'The Hunger Games' film franchise.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.