Joyfully Chaotic, 'Why Don't You Play in Hell?' is a Must-See
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.

Pasupathi (Ranjith) lives with his mother in a village in Coimbatore and comes to town with the intent of finding a job. He fights against a few thugs and hands them over to police constable Daas (Vivek), following which Daas is promoted to sub-inspector. Pasupathi accompanies Daas and his team most of the time. Pasupathi's mother is diagnosed with a heart problem, and he is in need of 500,000 rupees for the surgery. Pasupathi tries in vain to collect money with the help of Daas and Priya (Sindhu Tolani).
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.