
March 1945. After crossing the Oder River, one of the Polish Army units heading for Berlin encounters resistance from German defensive formations. After a fierce exchange of fire, a doctor operates on seriously wounded soldiers. Private Józef Łopuch helps him in the field hospital and also serves as a barber. Łopuch, who despite sending over twenty letters has received no reply from his wife Sabina, composes another letter assuring his wife that although war is a nasty business, nothing can happen to him, as he was born in a forge...
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.