Asha's 'Wish' (2023)
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.

Returning to Barcelona from schooling abroad in Italy, the young Francisco meets the beautiful young girl Rosalia at a ball and falls in love with her, but the two part without being able to exchange a word. One day, Francisco learns that his friend Raphael is back in town as well. The two go out to a taproom, and there Francisco asks Raphael's younger sister Monica to dance. Monica's lover gets jealous and starts a fight, and is killed. Francisco is now a criminal. He is captured, and then he meets Rosalia once more in the prison. She has planned a jailbreak with Francisco's aunt....
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.