'The Harder They Fall': This Ain’t Your Grandma’s Spaghetti Western
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.

Leo is a young man in his early twenties. Originally from the provinces, he arrives in Paris to find work and settle down. He hasn't seen his father in over ten years. His father left the family home, leaving his mother to raise him alone. Leo was able to trace his father via the Internet. He was living alone in Paris. Leo informed his father of his arrival and asked him to take him in while he found an apartment and a job. When Leo arrived at his father's house, he discovered how precarious his life was. He has taken up residence in a small two-room apartment in a working-class district of Paris, and has been unemployed for a long time. As Leo reconnects with his father, he unwittingly discovers his father's hidden life.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
David Fincher is back in his playpen, with a dark and chilling thriller.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
Guillermo del Toro highlights a touch of innocence in the Gothic classic. The journey of Victor Frankenstein defying death gained inspiration from the Eastern energy system that is named ‘Qi’ and the lymphatic system being studied by Muslim scholars.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.