Party Doll (1987)

Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.

If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse.  Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration. 

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.

‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.