PARK CITY is the story of a filmmaking team that lose their movie and their minds. JOEY, an ambitious and jaded director, and HANNAH, a savvy producer, hit the road to the Sundance Film Festival with the 35mm film print of their movie, HEARTS AND CASH, in the trunk of their car. They’ve invited along their melodramatic lead actress, JILL, who insists upon bringing her cat everywhere she goes; as well as their glorified production assistant, DAVE, who documents their Sundance Adventure on his iPhone.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
An anti-war film denouncing the valorization of senseless violence, 'All Quiet on the Western Front' is (unfortunately) all too relevant in 2022.
