‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

The last shots had been fired in the First World War — but peace had yet to be made. Inspired by Margaret MacMillan’s acclaimed work of popular history, Paris 1919 takes us inside the most ambitious peace talks in history, revisiting the event with a vivid sense of narrative. Evoking a pivotal moment when peace seemed possible, director Paul Cowan reflects upon the hard-learned lessons of history.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.