‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Carmen and Alfredo live a happy, quiet life in the suburbs surrounded by friends and family. After Alfredo receives a promotion, the two move away to Mexico City where they immediately feel the social pressure of being overweight in a bustling metropolis full of beautiful people. Taking the initiative, Carmen convinces her husband to join her in losing weight, but their relationship is put to the test when Alfredo’s program yields far better results than Carmen’s. From award-winning director Marianna Chenillo comes a touching comedy about how true beauty comes from the inside and paradise is closer to home than you might think.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.