Beauty is only skin deep, but when you can’t see beneath the skin, how can you know what you’re really dealing with? In a world where perfect androids called Boomers have infiltrated every aspect of society, it’s the job of Branch to maintain peace between the people and the plastic. Unfortunately, not all boomers are created perfect, and when boomers go bad, people die. The thin blue line that separates man from machine is about to meet its most horrifying test in Parasite Dolls.
Naoyuki Yoshinaga, Kazuto Nakazawa
Director
Kazuhiko Inoue
Basil "Buzz" Nikvest (voice)
Akemi Okamura
Reiko Michaelson (voice)
Masaru Ikeda
Koji Takahashi (voice)
Somei Uchida
Rod Kimball (voice)
Kikuko Inoue
Elza "Angel" Lynch (voice)
Toshio Furukawa
Bill Myers (voice)
Ai Orikasa
Chieko (voice)
Jouji Nakata
Puppet Master (voice)
Koji Tsujitani
Caine (voice)
Mako Hyodo
Eve (voice)
Rie Saitou
Buzz's Wife House Boomer (voice)
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.