Anita Malfatti goes through a deep desolation after the critic "Paranoia ou Mystification" by Monteiro Lobato to his famous 1917 exhibition, which highlights the beginning of the modernist movement in Brazil. Anita struggles to overcome the biggest disappointment of her life, her best friend Mário de Andrade tries to help her overcome what happened, with time Mário resorts to Oswald de Andrade and the two try to convince Anita to participate in the Modern Art Week of 1922.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
Hulu continues its Summer releases with The Princess. This film follows the princess (yes, she is unnamed) as she attempts to escape her tower, refusing to be wed to a cruel man vying for the throne. Action-packed and snarky, this is a decently fun film if you need a fighting fix.
'Kobra Auto Retrato' chronicles the inspiring journey of Kobra, a world-renowned Brazilian muralist and street artist.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
