The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Homicide detective Sean Nault is a cop on a parallel Earth whose technology is powered exclusively by magic. Sean investigates a baffling series of murders committed by a means he's never seen before: science. With the aid of Lenoir, a member of the ridiculed subculture of "pragmatists" who believe science is more than the stuff of myths & children's stories, and the 130-year-old sorcerer Winston Churchill, Sean uncovers an ominous plot that will lead him to another dimension and the realization that, unless he prevents it, both earths could well be destroyed.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
A young girl named Hailey Mays sings a country song that is named after the film's title.
It’s no wonder Peele won an academy Award for Best Original Screenplay. His script is layered with perspective and subtlety. Through a terrific vision, Peele creates the gift that keeps on giving. The clues and symbolic representations are aplenty, and as each viewing passes, you are destined to find something new. That’s a mark of great cinema.