'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

Our hero, Lajos, a drunken ex-cop in his fifties, back from the jaws of death. His old friend Feri, who is always anxious and wrestling with bad premonitions; and his wife, Etus, who believes in both the omnipotence of love and the afterlife. And, of course, there's their close friend Tibi, in his twenties, who's obsessed with paranormal phenomena and conspiracy theories - especially since his parents were struck by a ball lightning bolt. The four-strong group of friends is bound together by a fascination with esotericism and spiritualism - they are joined by Etus's sister, the recently widowed Évike, who, thanks to Etus's domestic magic, is hopelessly in love with Lajos. Meanwhile, Lajos, who works as a security guard, is in deep trouble: he is granted a two-day reprieve by the underworld-connected art dealer Mr Faragó to settle his debt of millions.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
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