Inside the 'Diary of a Wimpy Kid: Rodrick Rules'
The sequel to the 2010 live-action movie focuses on sibling rivalry.

Our hero, Lajos, a drunken ex-cop in his fifties, back from the jaws of death. His old friend Feri, who is always anxious and wrestling with bad premonitions; and his wife, Etus, who believes in both the omnipotence of love and the afterlife. And, of course, there's their close friend Tibi, in his twenties, who's obsessed with paranormal phenomena and conspiracy theories - especially since his parents were struck by a ball lightning bolt. The four-strong group of friends is bound together by a fascination with esotericism and spiritualism - they are joined by Etus's sister, the recently widowed Évike, who, thanks to Etus's domestic magic, is hopelessly in love with Lajos. Meanwhile, Lajos, who works as a security guard, is in deep trouble: he is granted a two-day reprieve by the underworld-connected art dealer Mr Faragó to settle his debt of millions.
The sequel to the 2010 live-action movie focuses on sibling rivalry.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
If your upbringing was anything like mine, where the TV acted as an additional parent- there are so many new stories and perspectives to explore.
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.