“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

A small town paper delivery boy sees the world in a different light when he peeks through his neighbor's window.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents