The End of “The End of Oak Street” is Oak Street
An attempt to capture nostalgia that unfortunately just doesn’t work

A wealthy man hires two bodyguards, one a former paratrooper (Qodirov) and the other just released from prison (Soipov), to protect his two daughters, Gulnoza (Ashurboeva) and Dilnoza (Eshonqulova). Whilst at first the girls are reluctant to accept their fate, they soon realise how lucky they are to have the two young men in their lives…
An attempt to capture nostalgia that unfortunately just doesn’t work
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
When a group of White women are invited to dinner by an Indian woman and a Black woman to talk about race in America, sparks fly.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
An artistic approach to the impact of Billie Holiday’s “Strange Fruit”.