‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

The cockpit of a Boeing 747 is struck by lightning during takeoff for a flight to Europe, fatally injuring the flight crew. Laurie, the senior flight attendant, enlists the aid of passenger Brett Young. They determine that the autopilot can bring the plane in for a landing, but soon learn that the autopilot is locking onto the transponders of airfields at random, including signals from small airports with runways too short to accommodate the jumbo jet. Meanwhile, federal officials on the ground who have lost radio contact with the jet debate whether the plane should be shot down to prevent a more disastrous crash in a heavily populated area.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
You'd better buckle up, pack spare underwear, & maybe lay off the drinking for a night, for a gnarly ride in New York!
Gotham City Sirens needs a female voice behind the camera. So, on the chance someone from DC films is reading this, here are ten female directors who would be good choices for Gotham City Sirens.