10 Shakespeare Films to Watch for the Aesthetic
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."

After the break up of her marriage, photographer Samantha Taylor retreats to the sanctuary of friend Caroline Lord's California ranch. Samantha falls in love with ranch hand Tate Jordan, and they share a deep and passionate love until Tate finds out that Samantha's ex-husband is popular and wealthy news anchor Warren Taylor. Ashamed he leaves the ranch, Samantha is heartbroken. Samantha breaks her back in an accident and is paralysed, and must learn how to walk - and ride - again. Caroline Lord tragically dies but leaves her ranch to Samantha, who turns it into a riding school for paralysed children. Through this enterprise, she begins to heal from the pain of Tate's desertion, the loss of her friend and her own paralysis. Tate returns to the ranch after hearing of Caroline's death and finds Samantha there. Can they both overcome their own demons and learn to love each other again??
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
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The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.