Musical comedy antics in an art deco bakery (motto: "Glorifying the American Doughnut") where Eddie Cantor, the overworked assistant to a phony psychic, is mistaken for an efficiency expert and placed in charge. Complications ensue when the psychic and his gang attempt to rob the payroll.
A. Edward Sutherland
Director
Eddie Cantor
Eddie Simpson
Charlotte Greenwood
Helen Martin
Barbara Weeks
Joan Clark
Spencer Charters
Mr. Clark
Paul Page
Steve
Charles Middleton
Yolando
George Raft
Joe
Harry Woods
Yolando's Henchman
Loretta Andrews
Goldwyn Girl (uncredited)
Busby Berkeley
Fortune Teller (uncredited)
Edna Callahan
Goldwyn Girl (uncredited)
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
Given a choice between a man and a mountain, it’s safer to choose the mountain.
Overall, Sand Castle was another lack luster war drama that will eventually fade into the many similar war dramas I have seen throughout my life.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.