In the middle of the desert, a solipsistic Japanese-American woman, along with her elderly and paralysed friend Barbara, runs the Desert Rose Cafe. Things liven up with the arrival of a mafia henchman (whose boss is hiding out at a nearby ranch), a battered Japanse man (who turns out to be a terrific chef, but who also triggers Barbara's memories of internment during WWII), and an attack on the mob boss' camp.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
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In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
