Chandrasekaran, an industrialist, is very successful in his business and has a loving family. His three sons and two daughters live happily as one family. He brings up an orphan, Rangan (Sivaji Ganesan), who is utterly devoted to the family. Calamity strikes the family in the form of loss in business. The last daughter's marriage gets cancelled. The brothers and their wives ill-treat their parents and Rangan and his wife. Seeing this Chandrasekaran has no choice to ask Rangan and his wife leave their house. Aftermath Chandrasekaran dies a broken-hearted man leaving his wife and youngest daughter to be in their children's merciless hospitality. Rangan, with his simplicity and pure-hardheartedness, takes it upon himself to look after the mother and sister. In the end, he proves that love and affection is the greatest wealth.
Movies also have the ability to make the audience think deeper about an issue that plagues society. "Blindspotting" does that without shying away from the intense reality of police brutality and racial discrimination.
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
