“I’m Just F*cking With You": Hulu’s Gruesome Take on April Fools’ Day
An excellent exploration of taking a joke too far.

Martin and Märta live in a seemingly happy marriage, but Märta feels neglected. One evening she meets Martine's colleague, the Frenchman Barthou, famous for his success with the Stockholm ladies. He starts to flirt with Märta.
An excellent exploration of taking a joke too far.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
"Clifford the Big Red Dog" retells the adventures of Emily and her striking puppy to highlight the joy of being different and inspire another wave of young fans.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.