It is the last day of the year and night falls on the small town of Toyama, Japan. A man who has come to the public baths to retrieve a forgotten object finds an old but valid ticket and lets himself be tempted. Among clouds of vapor and the gestures and conversations around him, a simple bath slowly becomes an invitation to existential reflection.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Spotlighting the legacy of the legendary Raymond Lewis through the love of a devoted daughter.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.
You'd better buckle up, pack spare underwear, & maybe lay off the drinking for a night, for a gnarly ride in New York!
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
