Review: 'Dashing in December' Exceeds Admittedly Low Expectations
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.

Young Jane Benson just about manages to make ends meet running the large family house in Yorkshire. In love with local doctor Freddie Jarvis, she suggests they marry, but almost at once finds she has inherited eighteen million pounds. He makes it clear he wants nothing to do with the money and what it can buy, and Jane sets off alone on a spree pursued by two ardent suitors. Jarvis finds he has gained notoriety for turning down such a catch and his plans for ernest research are soon compromised.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
The Legendary Clades - a family of explorers - find themselves in a strange new world with fantastic creatures awaiting them. Perhaps their greatest challenge will be healing the ties that bond.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.